While collaborative in nature, agencies daddies

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While collaborative in nature, these have become personal pieces, due to the untimely death of Chicago Imagist painter, Ed Paschke. (art)n began working with Ed Paschke in 1997 on a series of virtual daddies portraits and self-portraits (comprised of digital 3D CyberWare scans of Paschke) that connect to earlier works produced in collaboration with Academy Award winner, Chris Landreth, Brad deGraf and other daddies digital artists. Collectively, these works explore the semiotics of the virtual human, and "post-post-modern" representations of human gestures and facial expressions in a virtual world. Critics and curators are beginning to recontextualize post-modern works by daddies Mariko Mori, Charles Ray and Jeff Koons, an early assistant to Paschke, to bridge a gap between digital and traditional scholarship. These pieces celebrate a marriage of aesthetics, a fusion of artistic processes and a shared vision for reinvigorating the "post-human canvas" for future generations of artists.

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